In researching the link between architecture and perfume, a lot is made of linking a smell with a place, or trying to recreate the scent of the inside of a building. I think it is too far a literal understanding of the two. I believe there is a more subtle joining that allows each their artistic and symbolic existence aside from the other, yet in mutual complimentarity.
Our summer is pretty much over, and as short as it had been, I found it one of my best summers yet. I discovered a wide range of hot weather loving scents that are not the usual citrus, cologne style or 90s breezy, aquatics. Needless to say, Chloe Nomade got a lot of wear, as did 34 Boulevard St Germain by Diptyque.
Bauhaus celebrates its first centenary this year. Its influence is all around us in all aspects of life. Quality products with pleasing aesthetics for the everyday people. It is an ethos seemingly embraced by many of our most prominent industry leaders. Think of Ikea, the humble Nissan car, Apple’s take from Braun household item designs and the ubiquitous road sign typography. But what effect, if any, did the Gropius managed movement have on perfumery?
Every Saturday we have a Question, an idea purloined from Olfactoria’s Travels. Everyone gets to chime in with an answer, chat with other responders and it is a fun event each week. Taking sides never means taking offence and everyone keeps it respectful and light, even though we can sometimes trawl the depths.
The idea is you’ll see it on the weekend or chime in through the week. Hopefully you will come back and see if anyone has responded to your comment and you can reply to them.
Whether you love to travel or you love to watch short pieces about travel then the Louis Vuitton Travel Guides are excellent under 3 minute extravaganzas of interesting things you’d probably never think to do when traveling to particular cities, and new ways to look at the city when you get there.