Clayton Ilolahia, Blogger, Writer, Fragrance Junkie. Interview

 Hey All,

Today I have for you Clayton Ilolahia, a man with a very successful blog (whatmenshouldsmelllike.com), who writes for the The Perfume Magazine and has been giving talks about perfume around the traps. He is also an Australiasian, YAY! and general good guy.  I have cajoled Clayton into answering some questions for us. He has been crazy busy so took the time to do it while flying to Bangkok! So read on and find out about this fascinating man who knows What Men Should Smell Like….

Tell us about young Clayton please, where you came from, family, siblings, poignant or helped create who you are moments?
I was raised in New Zealand and was bought up on a farm. I have a large extended family, somewhat expected if you have a Maori/Polynesian background, but my immediate family is quite small with just my sister and I. My upbringing was pretty standard for rural New Zealand. One of my first scented memories is the jonquils and jasmine that grew wild on the farm.

 How did you become interested in fragrance?
I want to say I have always been interested in fragrance, but then haven’t we all? It’s true, I only became conscious of this interest in the past 10 years, but I think if we all look back, we have memories of scent that trigger emotion. For me, the picture became clearer after I left New Zealand and moved to Melbourne, Australia in 2004. I had retail management experience and was offered a job managing a small perfumery opened by the Polakis brothers of Harrolds, luxury designer mens stores in Sydney and Melbourne, who’d noticed niche perfumeries opening in France and Italy so they wanted to replicate the idea in Melbourne. At that stage I had no interest in working in the perfume industry. In my spare time I was always mixing fragrant oils and reading about perfume, which lead to blogging.

Who were and are your mentors and inspirations?
I have always had a soft spot for perfumer, Jean-Claude Ellena, I really admire his work. I also think Jean-Paul Guerlain is one of the most extraordinary perfumers of his age. I would love to interview him.
In terms of writing about fragrance, I love the sharp wit of Luca Turin and Chandler Burr is also one of the best fragrance writers, a wonderful storyteller and his statements are always backed up by fact.

Do you still wear mass-market fragrances, if yes which and why?
Absolutely! I love the mass market. Sometimes the most luxurious brand that promises creativity and quality can disappoint me. And a small budget, mass-market perfume, made by a perfumer working with a cost-considered palette of materials is able to express the most memorable idea. Some of my recent under $100 buys are Narciso Rodriguez Essence Eau de Musc, Chanel Bleu and Marc Jacobs Bang.

Who is your favourite independant perfumer and why?
Serge Lutens (or Christpher Sheldrake if you are talking about the ‘Nose’). It is a range that stands on its own. If anything, Lutens references himself instead of others.

Synthetic, natural or mixture, why?
All my favourite perfumes combine both. Naturals are so complex and filled with personality; I love the tension they add to a composition. Synthetics are much more singular in their message and they can alter or colour a perfume story in ways naturals cannot. Synthetics and naturals work beautifully hand in hand.

How has your whatmenshouldsmelllike.com developed?
Great. Originally it was just a sounding board for me to write about my perfume collection. I wanted to dedicate more of my time to learning about perfume. Blogging became my way of keeping myself on track, so I was regularly thinking about perfume. I am fortunate to travel regularly for work. When I can, I like to write about my experiences in other cities whether it is a shopping guide or some personal experiences.

What qualifications do you have to write about perfume?
Lol- absolutely none. I think that is the clear distinction between bloggers and journalists- we are not professionals and I am very aware not to cross that line. As much as possible I ensure what I write is accurate as there is a lot of misinformation online. I try to read and research as much as possible before I commit to a post. In terms of working with raw materials I had my breakthrough moment when I did a course with Perfumers World, a training organisation in Bangkok, Thailand. Their programs are great for perfume enthusiasts that want an introduction to basic professional knowledge. In September I am doing a short course in Grasse.

Tell us about how you came to be working for The Perfume Magazine, and a bit about them for our readers who may not have come across it yet?
The Perfume Magazine was a serendipitous occurrence. Their Editor in Chief contacted me after she stumbled across my blog and asked if I would be interested in contributing. I submitted something for their summer edition and they asked me to join them permanently as their mens contributor. They are a lovely team to work with.

 What are the 5 most important things you have learned so far that could help budding perfumistas/bloggers?
1: Create an environment others want to be part of. Write about the things you love, forget the things you dislike and have no control over.
2: If you are expecting to be paid for your blog, don’t quit your day job.
3: Spend some time with a fragrance before writing about it. Get to know the fragrance intimately- the quality of your writing will be much better. Readers want to know your opinion and not just information that can be found on a press release. Make each post personal.
4: I never throw out a perfume brochure, I tear out magazine articles and I pdf any online perfume articles that interest me. They are a valuable resource for information, which often disappear over time.
5: Don’t be shy and approach others to get stories. Most people I have spoken with are really encouraging of bloggers, at the worst; you will only get a ‘no’.

WOW!! I hope you found that as interesting as I did. Thank you Clayton for taking the time out of your busy schedule to let us get inside your head, just a little bit.

Portia xx

SOIVOHLE by Liz Zorn Interview

Hiya Everyone,

Photo Stolen fragrantica

Today I am bringing you artist, photographer, perfumer and genuinely lovely person with biographies in both Who’s Who In America and Who’s Who of American Women; Liz Zorn. Liz Zorn, founder of and perfumer for SOIVOHLE, is an inspiration on many levels. I am always impressed people who can excel in more than one field, it also reminds me that it can be done. One of the things I am loving about writing perfume is that I have been able to interview some astonishing people who are also perfumers. We have previously done a story on SOIVOHLE << hit the jump and find a history and some reviews.

Straight up; I am completely addicted to the SOIVOHLE (pronounced See-Voh) range. It is an acronym Sending Out Inspired Vibrations Of Healthy Loving Energy and their mantra is “Passing on the happiness and good cheer one bottle at a time.” This resonates so strongly with my own beliefs and processes that I was predestined to love the range.

Liz is unafraid to push boundaries and buttons. Some of her fragrances have unsettling notes or bring on inspired memories. Never really challenging but sometimes confronting they are gateways to loveliness, art in a bottle.

1.Can you tell us about young Liz Zorn and some “Who I Am” making moments?
I can’t say that I have had any profound moments, at least none that come to mind. I think I have always been on this path.  I was born in a small southern US town, moved to a big city at the age of ten. Lived in the suburbs and spent my summers at the pool. Very typical American.
2.What were you doing before you became a perfumer?
I was a painter. I am still a painter, just not so active these days.
3.How did you become interested in perfume and becoming a perfumer?
My interest in perfumery goes back to my teens. At the time it was not an option to be a perfumer. As the years went on I took more interest in perfumery and the Olfactory Arts, until I decided one day to put the painting aside to see if I had a true feel for perfumery. It is an ongoing process.
4.How did you get your education as a perfumer?
I am self taught except for a summer when I was 12 years old. A couple of retired teachers opened a New Age shop near my parents home. I would go there everyday and hang out with them. They taught me how to make incense from natural herbs, oils and resins. They also taught me how to make altar oils and the basic blending of essential oils. From there I started collecting oils, and perfumery books.
5.You use both naturals and synthetics, what is your philosophyand what are the selling points of each?
They are all tools, I make no distinction between them. Sometimes I like to work with an all natural palette, sometimes not. I have no interest in the politics or philosophy (if there is such a thing) of perfume. My focus is on the art and how best to bring my vision to life.
6.Soivohle is undergoing some changes currently, what news?
Yes, I am in a sense cleaning house.  Fine tuning my aim.  Like anyone else I get distracted at times. I am upgrading our packaging and cleaning up the look. I do not like clutter, so I try to nip it in the bud.
7.Can you tell us some of the exciting stuff you have in development?
I am working on two new scents, the Tears of Ra and Anubis. Exploring through scent the power of myth.



I wanted to leave you with some of Liz Zorn’s art. I find it moves me in much the same way her fragrances do.

Photo Stolen lizzorn

Photo Stolen Tumbler

Photo Stolen cafleurebon

Tomorrow we look at a few of the luscious fragrances on offer at SOIVOHLE. Do come and sample with us. In case you are wondering, they are currently updating their site with a Grand Re-Opening tomorrow July 24. It promises to be spectacular with the launch of 2 brand new fragrances.

I hope this has found you happy and well. If not, it gets better, promise.

Portia xx

Smell Bent Perfumer Brent Leonesio Interview

Hello pursuers of fine fragrances,

This week I have again chosen to highlight the incredible talent of an Independent Perfumer; Brent Leonesio from Smell Bent. It wasn’t so long ago that I discovered the Smell Bent brand, I’m not even sure how it happened now. Maybe another blogger was writing or I could have stumbled upon them in a late night google search. Maybe I came across his picture, because the man is really, decidedly, damned cute. Yummy McYUM!!

Doesn’t matter where I found Smell Bent, what do matter are the juices, they are fun, frivolously named, sideways and sometimes shocking fragrances. The fun belies the fact that if it’s a Smell Bent fragrance, then it will be awesome. Not always to my taste, it’s true, but something extraordinary never-the-less. The first scent I bought was a bottle of Tibet Yr Bottom $; a fun look at incense, woods and stuff, it stayed front and centre of the collection for 3 months, unheard of. Then, more recently, it was the Vocabulary range, the wolf pair, some gourmand Christmas frags, a couple of the Frankin-Smelly releases and to go along with this interview Brent has sent us 4 new sample size frags from his latest range for me to review and then for you to WIN! Check back on Thursday for details of how you can.

Here are a few questions that Brent was kind enough to take some time to answer, what a star….

Tell us about young Brent please?
I was definitely a curious kid.  I lived in my head and frolicked in fantasy.  And I think I still do.

What were you doing before you became a perfumer?
I worked in the fashion industry, had a bunch of different jobs – designing, wholesaling, buying.  But I got a little disenchanted with the business and was ready for a change.

How did you become interested in fragrance?
I ran out of a bottle of Armani Prive Bois d’Encens, which was going at about $200 at the time.  I went online looking for an affordable replacement when I fell down the rabbit hole known as Basenotes.  If only I had shelled out that cash, I wouldn’t be here today.

What qualifications do you have as a perfumer?
I love perfume and have studying it for 6 years and creating it for just over 3.  I guess you could say my qualification is passion.

Who were and are your mentors and inspirations?
I’ve been influenced by numerous artists in various mediums.  I look up to people like Franco Moschino, Estee Lauder and E.M. Forster.

Do you still wear mass market fragrances, if yes which and why?
I don’t wear much perfume as of late.  I usually save my nose for my work.  Recently though, I’ve been spraying myself with a bit of Alexander McQueen’s (sadly discontinued) Kingdom.

Who is your favourite independent perfumer and why?
I just got back from a show with 19 other indie perfumers.  I can’t think of a more exciting time to be working in the medium.  For the first time, in a long time, perfume is opening up and individuals who are passionate about making perfume are able to do so.  If you’re going it on your own, my hat is off to you!

Synthetic or natural, why?
I love a mix.  Naturals are incredibly interesting and complex on their own.  But there are so many exciting synthetics that offer smells the natural world doesn’t.  I couldn’t choose one over the other.

What constitutes a Smell Bent customer?
Anyone who thinks perfume can and should be fun.

How has your online business developed?
I started with a website and an email.  A friend ran a blog and wrote about me.  I just followed the aspects of businesses I respected- quick-turnaround, personalized service and high quality products at a good price.  I try and keep things as simple as possible.

Smell Bent is renowned for its quirky names and slightly sideways scents, why have you chosen that road?
When I started, I wanted to put me in the work.  And I guess a big part of it is just my personality coming through.  I also think that sometimes perfume takes itself too seriously and I wanted to change that.

Do you wish someday to work for the big end of perfumery, why?
I can’t say where I’ll be or with whom.  I’m gonna stick with smell bent for the foreseeable future.  The company is growing and finding an audience beyond my wildest dreams.

What fragrance, that you have made, do you always refer to in your mind as success, why?
I know which are most loved by my audience – scents like St. Tropez Dispenser or Bollywood of Bust.  I’m loving Short Fuse and Little Miss Panda Gets Lei’d.  But I’m always partial to the last things I’ve done.

What are the 5 most important things you have learned so far that could help budding perfumistas/perfumers?
1.     Start small.
2.     Ask for help.
3.     Don’t be afraid to try something new.
4.     When you’re most afraid of being different than everyone else, just keep going.
5.     Believe in yourself.

Where do you see Smell Bent in 5 years?
I would love to see the business continue to grow.  Every year has been a real adventure for me and I feel incredibly fortunate to be doing what I love.

Told you, Ah May Zing guy. Tomorrow I want to take you through the 4 newbies I’ve been sent to review for you, if you want to check the site before then SMELL BENT <<<JUMP
See you back here tomorrow then,
Portia xx

Photos Stolen Fragrantica

Olympic Orchids Artisan Perfumes by Ellen Covey

Boy do I have a treat for you all today.

Ellen Covey

Even before we started AustralianPerfumewJunkies I was awed by the amazing Ellen Covey of Olympic Orchids Artisan Perfumes. I had ordered a sample set and then a deluxe sample set. Doc Elly, as Ellen Covey is known, and her fragrances were one of our early reviews and she was the first perfumer to give our site her blessing. There was a lot of Woo Whoo-ing and high five-ing that day. It was like we had arrived and been given Benediction. I have a FB of Bay Rum and my next purchase will be Ballet Rouges, but I love Little Stars, Gujarat and Golden Cattleya too. The one thing I find so interesting is that Olympic Orchids artisan Perfumes are so affordable while being filled with the good stuff.

I have given Doc Elly our APJ set of standard questions just tweaked a little and she has bared her soul for us. You’ve got to love her direct honest answers, one day I’ll be lucky enough to meet her.

Tell us about young Ellen please, where you came from, family, siblings, poignant or helped create who you are moments?

I was born in Chicago, where my father owned a successful business. My mother had grown up on the Florida East Coast, where her family owned a hotel, but she moved to Chicago to study art at the Art Institute. She hated the cold winters, so when I was a preschooler she convinced my father to move to Virginia, where he re-established his business. My family included my parents, my grandmother, who lived with us, my younger brother, and two dogs.

About the time I started high school my father sold his business, invested the money, and the whole family, including the dogs, went on a long adventure trip through Europe, with the vague goal of ending up in Israel after exploring everything on the way. We lived in Switzerland, France, Germany, and Italy, where I attended local schools. Whenever we moved to a new country and a new language, I was the family member delegated to make phone calls looking for housing. Having to cruise the streets of an unfamiliar city taking down phone numbers from signs and then talking to potential landlords on a pay phone in a language I’d not yet learned was stressful, especially when I had to explain about the dogs, but if nothing else it made me resourceful.

There were poignant moments every time we kids were uprooted to go to a new country, leaving dear friends, but the experiences along the way were unique, and shaped who I am now as a perfumer. I’ll never forget the smell of blooming mimosa in Provence, the smell of the polluted Rhine in Germany, or the smell of peeling a tangerine on a bitterly cold winter day in Rome.

Later in life, I have lived in Texas, India, North Carolina, New Jersey, Germany (again), Spain, and now Seattle, in the US Pacific Northwest, and all of these places have contributed to my perfume landscape.

What were you doing before you became a perfumer?

So many things! I started out studying stage design in Rome, then studied biology and neurobiology in the US, eventually earning a PhD in chemosensory neuroscience. Most of my career has been teaching and research in academia, and I continue to do that in parallel with being a perfumer. Other parallel lives include growing orchid plants commercially, and working in local theatre in all capacities from acting to directing, writing, and producing. It’s hard juggling it all, but each separate life informs the others in some respect.

How did you become interested in fragrance?

I’ve always been intensely aware of smells and fragrance, for as long as I can remember. One of my earliest memories is standing in my bedroom smelling the windowsill. It was a really comforting, musky smell of old wood and all of the humans who had lived there. I’ve always stopped to smell every flower I passed. I love the smells of good cooking. I used to spend a lot of time smelling my mother’s perfumes, and started buying commercial perfume mini bottles as soon as I had money of my own. At about the same time I started buying essential oils, and eventually the inevitable happened.

What qualifications do you have as a perfumer?

A good nose and an active imagination! I’m self-taught when it comes to perfumery. I have an extensive background in chemistry, which certainly helps with the practical aspects of setting up a safe and efficient lab environment with all the proper tools and the basics of formulation, but is of very little help with the aesthetics, which are purely intuitive. Over the years I’ve spent a huge amount of time sampling perfumes from both an aesthetic and analytic point of view, sampling and testing perfume raw materials, reading about perfume materials and formulation, and experimenting with everything I can.

Who were and are your mentors and inspirations?

My mentors were and are all of the many people who, over the years, have written about perfume-making in all of its aspects, whose work I have read. They are the people in various discussion groups on the internet who provide useful bits of information. They are the perfumers, both famous and anonymous, who make all of the perfumes that I smell, testing something new every day. My biggest sources of inspiration come from nature and every human environment in which I find myself. Odors are everywhere, and sometimes I’m jolted by a novel juxtaposition of scents on a city street, emotionally assaulted by a natural scent carried on the wind, or even surprised by how a raw material that I’m testing combines with a scent that’s present in the environment. Perfumery is a learning experience that never ends, and inspiration is everywhere.

Do you still wear mass market fragrances, if yes which and why?

Interesting question. I’ve never “worn” any type of fragrance in the usual sense, preferring instead to collect them, compare them, analyze them, and enjoy them in an idiosyncratic and very private way that has nothing to do with “smelling good”. It’s almost like a child playing with toys. Regarding mass market fragrances, I still have my original large collection of mass market minis, and love every one of them. If I “wore” perfume, yes, I would wear them, and I do still occasionally put one on and contemplate it. I really don’t distinguish between mass market, niche, indie, and any other classification because I believe that there’s no monopoly on what smells good or appeals to one’s emotions on a deeper level. There are certain fragrances in each category that move me, and many that don’t. In any case, there’s a continuum that runs all the way from blatantly mass market to crafts-fair-indie, and the lines seem to be becoming increasingly blurred. Those who started as indie perfumers formulate for the mass market companies. Mass market companies launch their own “niche” lines. Niche and indie brands farm out manufacturing to third parties. Some of the bottom-tier “indies” repackage and sell mass-market fragrance oils, coming full circle, if you will. I like what I like regardless of whether it was made by hand or by machine in a factory vat. If it’s good, it’s good.

Who is your favourite independent perfumer, other than yourself, and why?

As a working perfumer, I’ve gotten myself into trouble by commenting on the perfumes of others, so I’ll refrain from saying anything here. In any case, I really have no “favourite” anything, whether it be colour, food, music, film, or perfume. I’m much too fickle for that, and it all depends on context and what I feel like at the moment.

Having said that, in general, I like perfumes that are strong and complex. For my own use, I prefer woody and resinous notes, aromatic herbal notes, leather, smoky notes, and a minimum of floral components. I actively dislike overtly aquatic notes.

Synthetic, natural or mixture, why?

 All of the above, just because they all have their place in perfumery. Naturals are great to work with because each one is a perfume in and of itself, with a complexity that can’t be matched by most synthetics. Contrary to popular belief, all-natural fragrances don’t have to be short-lived, since there are natural base notes with excellent longevity. My Kyphi is an all-natural fragrance, and I’m currently working on a new series of all-natural fragrances that will have good longevity. All-synthetic fragrances tend to smell sparse and  … synthetic. Fleurs de Glace was my only attempt to create an all-synthetic formula, and it ended with my adding a big dose of galbanum to round it out. Most of my fragrances are a mixture of natural and synthetic, mostly natural, but with synthetic notes as accents or to improve sillage, longevity, or other characteristics of the blend.

To me, naturals are a bit like acoustic instruments and vocals in music, providing warmth, depth, and the idiosyncratic human touch. Synthetics perform a function that’s analogous to amplification, mixing, and effects. Moreover, synthetics can provide completely new “voices’, much as electronic sounds can do for music. Go too far to either extreme and you have the thin sound of the coffee house folk singer with no amplification or the annoying drum machine combined with a repetitive twanging, mechanical-sounding treble loop blasting your ears. Both have their place, but it’s limited.

What constitutes an Olympic Orchid Artisan Perfumes customer?

I wish I knew! I think in general they are people who appreciate truly high quality, original fragrances without a lot of pretentiousness and overblown prices. My guess is that they’re people who are confident enough to try things outside the mainstream, and who have enough imagination to let perfumes take them somewhere unique in their own mind without needing a whole prefabricated cheesy story line or celebrity image to go with the scent.

How has your online business developed?

I have always made perfumes to please myself, then I put some of them out there, and a customer base has slowly developed. I consider myself incredibly lucky to have had good reviews early on, with word spreading through the magic of the internet. My business continues to grow and develop as I add new fragrances and increase production.

Do you wish someday to work for the big end of perfumery, why?

No, absolutely not. I’m much too independent-minded to work for someone else. I want and need to be in charge, free to go wherever my fancy takes me. I prefer to be an artist rather than an employee.

What fragrance, that you have made, do you always refer to in your mind as success, why?

I think my two most commercially successful fragrances to date are Golden Cattleya and Ballets Rouges. Both are very good mixed-media formulas with broad appeal. Olympic Amber is also a very good one, with broad appeal. Hell, get me going and I’ll say that every one was a success in some way. Otherwise, I wouldn’t still be selling them.

What are the 5 most important things you have learned so far that could help budding perfumistas/perfumers?

1. Smell, smell, smell. The more things you smell and really pay attention to, the better developed your nose will become. This is the most important thing you can do.

2. Trust your own instincts. If you like it, it’s good. If you don’t like it, its not. If it smells like patchouli, or roses, or corn flakes to you, that’s what it smells like. If it smells like doggie doo, or laundry detergent, or a sweaty soccer player to you, that’s what it smells like. Never mind what someone else says. Never mind who likes it or doesn’t like it. Don’t let yourself be influenced, intimidated or shamed by self-appointed critics or “experts”.

3. Read, read, read. If you want to make perfume, it’s essential that you learn the basic principles of how to do so. If you want to enjoy perfume, it’s nice to know something about how it’s made, its history, and other people’s opinions. Once you’ve adopted strategy #2, you can take everything you read with a grain of salt, so reading won’t harm you in any way.

4. Be open to new experiences. That aroma chemical you didn’t like may be just the touch that will perfect your new blend. That perfume you thought you didn’t like may delight you six months from now. You may hate teak, but find that you love it in a particular context.

5. Have fun. Fragrance is meant to bring pleasure, not stress and anxiety. Please yourself, spend within your means, and enjoy the experience to the fullest.

What do you have in development that you’d like to share with our AustralianPerfumeJunkies?

I’ve always got a roaring avalanche of ideas, more than I can ever bring to completion. Right now the closest things to release are a series of five fragrances made for the Devil Scent Project, based on Sheila Eggenberger’s novel, Quantum Demonology. I’ll be launching them at the Artisan Fragrance Salon in San Francisco in July.  I’m working on a line of all-natural fragrances, one new orchid scent, and a couple of bespoke perfumes that I need to finish up. At least some of these will be released late this year or early next year.

Where do you see Olympic Orchid Artisan Perfumes in 5 years?

I take things one day at a time, but hope that in five years Olympic Orchids Artisan Perfumes will still be motivated by artistic rather than commercial factors, that my fragrances will still be intellectually, emotionally, and aesthetically honest, and that I can keep them affordable by just about anyone, anywhere. Realistically, as the business grows I will need to hire someone to do the routine tasks like preparing samples, packaging and shipping so that I can have more time for networking and creation of new fragrances, but I will still want to be intimately involved with every aspect of the business.

HOW TO FIND THESE GEMS?

This jump will take you to Olympic Orchid Artisan Perfumes fragrance page. You have 19 fragrances to choose from. There is an exciting new samples choice; 5 x 3ml spray sample set of three different fragrance groups and at $20 with free continental US shipping or only $5 for international. SO DAMN CHEAP!!! I have ordered the Perfumers Spray Sample Set just now. He he.

As a special deal, Ellen Covey has offered $5 off all international orders for postage and handling or $5 off product in the continental USA!! Please enter the word PERFUMEJUNKIE into the coupon code box at checkout. The offer will last through Monday, June 25. AWESOME!!

Deluxe Sample Box

I am so proud we could bring you this amazing perfumer & person.
Please go see the Olympic Orchids Artisans Perfumes website.
Thanks for dropping in,
Portia xx