Eau Absolue by Mona de Orio 2013

January 25, 2014 / australianperfumejunkiescom / 8 Comments

Hello my lovelies,

One of my favourite Niche/Indie houses Mona do Orio was busy in 2013 bringing out two fragrances. This was the first offering and I wanted to give a bit of space between the lovely reviews for launch and a look at it after some time, giving the dust a moment to settle. I have here a 10ml decant about 1/4 used. Whenever I reach for it I think that I will want to wear it every day but then, of course, pick up something else tomorrow. When I wear it often the thought “Dessert Island Top Ten” passes through my brain. Would it be? Hopefully I’ll never have to choose.

Eau Absolue by Mona de Orio 2013

Photo Stolen Fragrantica

Fragrantica Gives these featured accords:
Top: Bergamot, clementine, petitgrain
Heart: Geranium, java vetiver oil, bay leaf, pink pepper
Base: Cedar, musk, labdanum

BZZZZZZZ! The citrus opening is loads of fun but kept from being a zingy space cadet by whispers of the resins to come even in the first minute. While I sit here in a balmy Sydney summer evening I am enjoying the very unexpected opening. I have read a few reviews before writing tonight, which is not something I usually do, so my expectations were for something quite different, something more mainstream and fizzy. I couldn’t have been more wrong. This is, as I should always expect with a Mona di Orio fragrance, something quite densely layered with everything in the notes list all at once and what will happen is certain accords will get precedence on occasion.

Photo Stolen Chris Isherwood Flickr

I get zero geranium or pink pepper but the citrus, bay, musk and labdanum seem to be the stars in Eau Absolue for my skin and nose. Eau Absolue is warm, cuddly and inviting without giving any sexual vibes and almost no fleshy animal. It’s so friendly and smells like my Mum and the kitchen would smell during winter, like food seasonings, smoke, wool wash, clean skin and unconditional love. There is something waxy and lip balm-ish too. I am madly in love with the memories Eau Absolue is conjuring. What an enjoyable ride, when I normally spritz Eau Absolue I just enjoy the fragrance and don’t really stop to question the whys and wherefors, sitting here and having the time and space to let my mind wander and really enjoy this beautiful, flawless creation by Mona di Orio is a joyful experience and I think I’ve been smiling for two hours. This is the good stuff and if I wasn’t going on a perfume voyage in a moment I’d be looking up LuckyScent or Peony Melbourne and ordering.

Photo Stolen Eleazar Flickr

Though Eau Absolue is not a big projector it does have good silllage and I get around 5-6 hours of fragrant wear before it dries down to a soft fuzzy powdery wash. Wearable? Anywhere. Everywhere. Dress up or down. Dawn or dusk or romantic interlude.

Further reading: The Non-Blonde and Chemist In A Bottle
LuckyScent has $230/100ml
Surrender To Chance samples start at $7/ml

I think this could be my everyday wear frag. Eau Absolute is comfortable like so many of the Mona di Orios and so fabulously unusual too. Is there one of these for you that you still don’t have a Full Bottle of? Why?

My answer is that I will never get through 100ml of it. 100ml is a LOT of fragrance for a perfumista but if I see someone selling their 50mls left, reasonably priced, on a list I will jump all over it.

I hope your day is happy and bright,

Portia x

Limette 37 by Le Labo 2013

January 24, 2014 / australianperfumejunkiescom / 15 Comments

Hi Hi Hi,

I know, I know, I know! I’m late to the party, this has finished its scheduled sale. Yes, I know. Here’s the thing though, I have been so inundated by fragrance that this and another 2013 release Cuir 28 have been lying idle in their pack awaiting moderation. I remember this being slated for its incredible cost $440/100ml and that it didn’t last at all well, nor was its development interesting enough to warrant such outrageous pricing. OK, so I will try it and see how it goes…

Limette 37 by Le Labo 2013

Photo Stolen Fragrantica

Fragrantica gives these featured accords in one line:
Lime, bergamot, jasmine, petitgrain, cloves, vetiver, tonka bean, musk

Soapy, that’s what I smell. It’s like a soap we had here in Australia when I was growing up called Palmolive Gold. The tagline “Don’t wait to be told, you need Palmolive Gold” was a schoolyard maxim that would be sung to anyone showing the least sign of body odour.

Here the fresh lemony/citrus smell is tempered by jasmine, actually after the first 10 minutes jasmine become the main focus on my skin. A very clean, pretty jasmine with still a zesty citrus wash over it. I think musk is around too, though I can’t smell it exactly it feels like its there just out of my olfactory reach. All the other accords are not in evidence at the one hour mark to me, but my nose is notoriously wonky.

This morning I awoke to a very soft scent that was still humming around, a musky vanilla citrus. It was easily discernible while lying on my hand in the moments of half asleep and half awake but when I got up and walked to the kitchen to make a cuppa I lost most of it and was left with something not quite fragrant.

Photo Stolen DeviantArt

I am sorry to agree with the majority in this instance, for the kind of dollars Le Labo were asking I want much more, I want it to sing and tap dance across the air from skin to nostril, I want fireworks and magic tricks. Don’t get me wrong, if you are filthy rich then this will be a perfectly good fragrance for you and I hope you enjoy it and your lovely life of luxury. On the other hand, if you are like me, that $440 could be spent on two or even four much more worthy bottles. For my money that’s a bottle of Ashoka by Neela Vermeire Creations and a export bottle of Serge Lutens Tubereuse Criminelle.

Further reading: The Perfume Shrine and Now Smell This
Surrender To Chance samples start at $6/.5ml

Did you try Limette 37? Was it worth the hype for you? Did you wish for a spare $440?
Portia xx

Donna Karan Spring Summer 2014 Ad Campaign

January 24, 2014 / australianperfumejunkiescom

Fashionistas!!!

This years advertising is already hotting up. Donna Karan has done a super set of shots and I’ve grabbed them from my fave Fashion Forward blog: art8amby where I also lifted the below script. Do go check their stuff, right on point every day.

Donna Karan Spring Summer 2014 Ad Campaign

Brazilian bombshell Adriana Lima is returning to be the face of Donna Karan New York. The super sexy and fierce Adriana was once their campaign model for Spring Summer 2012 season. She is accompanied by top male model Andres Velencoso Segura for the images that were snapped by Russell James. (source)

Escada Magnetism by Pierre Bourdon and Steve Demercado 2003

January 23, 2014 / australianperfumejunkiescom / 17 Comments

Post by Chairman Meow

Hi APJ,

Recently, after combing through my local classifieds for an interesting scented bargain, I found myself in the thick of my old uni stomping grounds, knocking on a stranger’s door. It was answered by an ample bosomed young lady with a nuclear tan in Ugg boots.
“Come in, darl” she beamed, ushering me through the house. Her room, ascetically furnished, was redolent of a recently extinguished cigarette, masked by generous spritzes of Gucci Guilty. She waved an expansive hand at the half dozen or so fragrances sitting on her bookcase.
“I’m addicted to perfumes, babe. I keep buying them but I can’t use them all”. I politely agreed it was a splendid collection. Attempting to engage my young son in friendly banter, and receiving a churlish stare as her reward, she accepted my payment and I made a hasty exit to examine my prize.

Escada Magnetism by Pierre Bourdon and Steve Demercado 2003

Photo Stolen Fragrantica

Fragrantica gives these featured accords:
Top: Pineapple, black currant, melon, red berries, cassia and litchi
Heart: Magnolia, iris, green leaves, freesia, basil, jasmine, caraway, heliotrope, lily-of-the-valley, rose and almond blossom
Base: Sandalwood, amber, patchouli, musk, benzoin, caramel, vetiver and vanilla

But if you want an indication of what Magnetism is about, you need look no further than the flacon, the berry candy stalactite with its tongue-grazing chiselled edges, portentous of the juice within.
And indeed, Magnetism is a high-octane, fruit-astic confection with the stones to comfortably take on and take out the best of its ilk in a foxy boxing match. Its opening is familiar enough, a concoction of toffeed berries and that generic citrus note that seems to cut, like industrial grade detergent, through the tallow of many a sugary composition. It is accompanied for the first few minutes by something verdant, making for a crisp, if not bracing salvo.

Photo Stolen Omar A. Flickr

After this point many of its poorer cousins will then trail off into some sort of perfume mumble, and evanesce into a vague vanilla-[insert unidimensional accord of choice] concoction, like an olfactory half finished sentence. Magnetism, apparently with more thought given to it, holds its shape for longer with quite distinguishable benzoin, patchouli and amber into the dry down. Later in its long, long life, I can make out something a little seedy, the faint whiff of smoker’s breath, as if the perfume had been imprinted with the memory of its former mistress.

Photo Stolen DeviantArt

Magnetism is aptly named, and evidently aimed at attracting the non-thinking sex symbol. Perhaps the most decisive indication of its common denominator appeal is the grunt of “nice” it got from Chairman Woof – high praise from one whose usual appraisals range from “non-specific” to “I don’ t like it”.

FragranceNet has $43/50ml before coupon
My Perfume Samples starts at $2/ml

One reviewer on Basenotes thought it would “be great as a stripper scent”, and whilst my limited stripping experience precludes comment, I will venture that it is a perfume for the extroverted, saucy even, for those liberal in their use of “darl” and “babe”. I’m saving mine to trot out when I need to get my slapper on.

Chairman Meow. X

Bas de Soie by Christopher Sheldrake for Serge Lutens 2010

January 22, 2014 / australianperfumejunkiescom / 8 Comments

Post by Eliza D

Hi there APJ,

People often talk about fragrance for mood, the more I think about it the more sense it makes.

Bas de Soie by Christopher Sheldrake for Serge Lutens 2010

Photo Stolen Fragrantica

Fragrantica gives these featured accords in one line:
Iris, hyacinth, galbanum, spice, musk

If one wears perfume to create a mood, or to prepare oneself to be a certain way in the world, then Bas de Soie (Silk Stockings) is my leather and heels take no prisoners you’re not fooling me I am sorry but you don’t have an appointment work fragrance. I know, I know, this was probably never meant to be worn to work, but sometimes you need a perfume like this to alter the scene.

Photo Stolen liz west Flickr

Bas de Soie intrigued me from the moment I tried a sample as part of a collection from The Posh Peasant. While most perfumes I wear settle during the dry down to their bass notes, Bas de Soie sings in a mezzo-soprano range from its opening to its last breath. It’s this quality that makes me sit up a little straighter and respond a little more crisply than usual. There’s no time to relax when wearing it.

Though Fragrantica gives the notes iris, hyacinth, galbanum, spice and musk all in a row all I can smell are the flowers. As if someone had pulled them out of the ground, roots and all, and was pressing them under my nose. hard. for a long time.

Sillage is moderate, and longevity on me is very good. After an eight hour day, I can still smell Bas de Soie. So, if you want a flower with a bit of an edge, or as someone on Fragrantica recently wrote “Beautiful and delicate but scary as hell,” try Bas de Soie.

Photo Stolen Victor1558 Flickr

From LuckyScent: With Bas de Soie (aka Silk Stockings) following up on Serge Noire, Filles en Aiguilles and Fourreau Noir in his new vein of sartorially-named fragrances, Serge Lutens has ventured out of black and into the blue by splicing hyacinth and iris. Is this hyaris or iricinth? The two notes are so intimately blended in this shimmering scent that they can’t be teased apart. Those who wondered where the Lutens-Sheldrake tandem would go after their L’Eau Serge Lutens shocker have their answer. And it’s not back to Marrakesh: Bas de soie is as quintessentially Parisian as the gardens of the Palais Royal.

Further reading: Grain de Musc and Olfactoria’s Travels
LuckyScent has $130/50ml
Surrender To Chance samples start at $4/.5ml

What’s your power fragrance at work?

ElizaD

Charisma Cologne by Avon 1968

January 21, 2014 / australianperfumejunkiescom / 16 Comments

Post by Ainslie Walker

This afternoon, I feel like Miss Marple of the fragrance world.

The first fragrance I ever loved and owned as a child in the 80s was something contained in a little amber and pink, gingerbread house shaped bottle. I have just unearthed it from my mothers attic and opened it, expecting terrible things, when to mine and her surprise, on opening, out came a blast of something ‘Chanel number 5-esque’!!?? My mum actually had a stash of Chanel number 5 Eau De Cologne back then, and she exclaimed “Oh, you must’ve topped up from MY bottle!!”

It WAS quite feasible…. but I needed to clear my name…

Inspecting the underside of the bottle it read “AVON Charisma Cologne”. Intriguing. I went straight to the WWW and found the description listed as;

Floral, musky, aldehydic, powdery, animalic, balsamic

Charisma Cologne by Avon 1968

Fragrantica gives these featured accords:
Top: Aldehydes, bergamot, peach, neroli, hyacinth, coriander
Heart: Iris root, carnation, jasmine, rose, narcissus, ylang-ylang, lily of the valley
Base: Sandalwood, amber, civets, musk, tonka bean, vanilla, styrax

WOW! To think I was enjoying green spicy florals even back then! It explains A LOT!! Not to mention that this fragrance was packaged in a gingerbread house for young girls –almost shocking!!

Avon’s Charisma was obviously heavily inspired by Chanel. For reference, Chanel number 5 Eu De Cologne, is listed as;

Woody, powdery, aldehydic, musky, white floral, amber, animalic

Photo Stolen Fragrantica

Boom! I run for my Chanel number 5– a 100ml bottle of the eau de cologne from the late 60’s/early 70s, (which indeed was mums) which smells much stronger, smoother and heavier on the anamalic and rosey-powder ingredients than the Charisma, but still overall very similar, and surprising, considering the obvious price and branding differences. I would like to think the No 5 I have is full of beautiful naturals, due to its manufacturing date, and this could be why it is more rounded and full smelling.

I read on, many people compare Charisma to Coco, but I have none here to compare, from memory, this sounds feasible, but did not come straight to my mind. Coco is also balsamic, so perhaps.

Coco was launched in 1984. HANG ON, that was 16 years after Avon’s Charisma, which came out in 1968…..would Jaques Polgue actually have ‘borrowed’ some ideas from AVON?!?!?!?!

Photo Stolen Fragrantica

Either way we perfume lovers must realize, that what can come from a tacky brand or cheap novelty bottle, may in fact be almost identical ingredients as what some of the more “high end/exclusive” brands contain. Don’t judge a perfume by it’s package, price or branding, shut your eyes and smell- you and your bank balance may get a pleasant surprise!

Ainslie Walker X

Magnolia Grandiflora Sandrine by Sandrine Videault for Grandiflora 2013

January 21, 2014 / australianperfumejunkiescom / 13 Comments

Guest Post by Jordan River

The fragrance world lost a cherished luminary in 2013. Perfumer and fragrance visionary Sandrine Videault passed away on July 3rd last year. Today we remember not only her amazing fragrances, but her touching, inspiring words.

Magnolia Grandiflora Sandrine by Sandrine Videault for Grandiflora 2013

Sandrine studied perfumery under Edmond Roudnitska. Her final perfume is Magnolia Grandiflora, which she worked on with floral artisan Saskia Havekes. This extraordinary fragrance has been highly anticipated by the fragrance community and was launched this month on Lucky Scent.

Magnolia Grandiflora
Perfumer: Sandrine Videault
Release Date: August 2013
Classification: Soliflore
EDP 100ml
Recommended Retail Price: $185 AUD / $168 EUR
Pre-orders: fragrance@grandiflora.net

Notes
Top citrus, grapefruit, pepper
Heart dry woods, fresh garden accord,
Drydown marine, musk

Many flowers today are bred to be beautiful but not necessarily fragrant. Saskia has sources for particularly fragrant flowers which she artfully combines with beautifully bred ones for a scented atmosphere with visual delights. Photographing nature is also a passion. Grandiflora is the name of Saskia’s atelier in Potts Point.

The story of this fragrance begins millions of years ago, before humans or many other creatures we know today existed. The ancient genus Magnolia appeared before bees did, and pollination occurred thanks to the help of beetles. The tree adapted to the strength of its hardworking pollinators, resulting in the longevity of this beautiful, fragrant tree.

The magnolia is a true sight to behold – tall trees mantled with startling blossoms come to life in the springtime, shrouding surrounding areas in a fragrance known to this earth for more than 20 million years. The magnolia’s timber is heavy and robust, and the flower has continued to bloom and burst with lush fragrance across the ages, yet the flowers fade so fast. To hold magnolia’s fragrance is a kind of magical blessing.

Photo Stolen WikiCommons

Many of us will remember Sandrine through the tropical intensity of Manoumalia. In the Pacific tourists are often charmed by the scent of the local manoi oils which are used for tanning, moisturising skin and hair as well as for bath and massage oil. Manoi oil is coconut oil usually blended with the Tahitian gardenia known as Tiare but also with frangipani, ylang ylang and vanilla, in an enfleurage type process. Coconut oil is the carrier fat for the scent. Unfortunately when these oils leave the tropics the scent changes to ‘off’ or more precisely, indolic at the unpleasant end of the spectrum. The amazingness of Manoumalia is how Sandrine captured the heady lush scent of The Perfume Tree (Fragrea), Tiare, Ylang Ylang, Amber, Vetiver and Sandalwood within a perfume that could then be enjoyed anywhere in the world like an instant tropical holiday. Truly an expression of the art of perfumery.

Her other notable works – Ambre Indien by Esteban, Violeta by Les Néréides, and the recreation of the ancient Egyptian Kyphi live on in the hearts and minds of those of us grieving her passing.

Sandrine lived in New Caledonia and loved working in her creative laboratory in Noumea. In an interview with Perfumes, Trends and Inspirations, she said:

“Avoir son lieu de création près de Dame Nature est un cadeau”
(“Having a place of creation near Mother Nature is a gift”)

In an interview with Perfume Shrine, she said living in New Caledonia connected her with her roots.

“I feel more beaming or blooming and I am more serene. If something is wrong inside of you then you won’t create with harmony. You can not cheat with perfume authoring. States of mind come to light in perfume authoring. Bad moods are forbidden. Moreover, New Caledonia with its nature and ethnic groups is a mine of inspiration for me.”

Sandrine was both a perfume visionary and a woman wise beyond her years. She will be remembered for the scents she created and the words she left behind. May we now cherish the gifts she has left behind, and learn from the lessons she sought to teach.

“The most important lesson…..that we know nothing! So many things left to learn, to discover, to live.”

Farewell Sandrine, you will be missed.

Further Reading
Grain de Musc – Manoumalia
Perfume Shrine – Manoumalia
Perfume Shrine – Interview with Sandrine
The Fragrant Man – Magnolia Grandiflora

In Memory of Sandrine Videault
Grain de Musc
Olfactoria’s Travels
Perfume Shrine – poetry
The Scented Salamander

Update
Grain de Musc – Two Magnolias will blossom in January 2014 at Grandiflora

Le Temps d’une Fête by Parfums de Nicolaï 2007

January 20, 2014 / australianperfumejunkiescom / 10 Comments

Post by Maya

Happy New Year APJ,

I have always been amazed at how the same scent can be perceived in so many different ways. It often made me wonder if something was wrong with me. My perceptions were usually in with the minority; for example, those who only get green beans and nothing but green beans from The Unicorn Spell.

So thank you to the New Zealand study. Scent is genetic. Our scent realities are all unique! And on that note, I’m going to give my scent opinion on a sample that tragically laid around, ignored, for way too long.

Le Temps d’une Fête by Parfums de Nicolaï 2007

Photo Stolen Fragrantica

Fragrantica gives these featured accords:
Top: Galbanum, opoponax
Heart: Narcissus, jasmine
Base: Oakmoss, sandalwood, patchouli, woody notes

Le Temps D’Une Fete is a green floral. There is an interesting green flash at opening, and it’s gone. Then comes the true opening of narcissus and hyacinth vying for attention. I sniff one, then the other, then back again and again and again. It’s like they’re dancing and with each twirl, the other appears. It’s the early spring garden when both are in bloom. The scents of both swirl around in the breeze. You smell one then the other. Sometimes they blend together. It’s wonderful.

Photo Stolen *higetiger Flickr

There is a pretty green, grassy, hay-like note that soon enters the dance floor. It has a lovely familiar element that I can’t name but really really like. This green overwhelms the flowers for a few minutes, but they will not be restrained and come out again, only more softly and gently blended. The jasmine, sadly, is sitting out the dance. The green eventually weakens a little as the oakmoss and patchouli appear on the dance floor. They twirl and swirl and here and there narcissus and hyacinth are dancing again too. This is their fete also and they’re staying. Sandalwood is shy and only does an occasional dance.

After more than an hour, the notes blend together in a happy waltz, except for narcissus. This diva makes sure she is always in the spotlight. Le Temps D’Une Fete teases me and surprises me. Most perfumes do not. With Le Temps D’Une Fete, the notes switch partners often. Both the green and the flowers share equal time. Neither takes over the dance. What fun! I have not enjoyed a new fragrance like this in a long time.

Le Temps D’Une Fete has a medium silage and I’m happy to say that I get to enjoy it on myself for at least 7+ hours.

Photo Stolen Wikipedia

Further reading: Perfume Posse and Bois de Jasmin
LuckyScent have $115/100ml
Surrender To Chance have samples starting at $3/ml

A happy and beautiful fragrance. I love it! I had heard that it was being discontinued, but have now heard, that at the very least, it will be available on demand! Have you found a new love recently or reacquainted yourself with an old one?

MayaXX

DIOR: How To Get the Trianon Look: Mini Movie

January 19, 2014 / australianperfumejunkiescom / 14 Comments

Hiya Junkies,

As you may know I have a bit of an addictive personality, also I am a Drag Queen, so you’d think I would have box loads of make up. The answer is no. Yes, I have backups of my favourite products but everything fits into a small drawer. I do love watching makeup fashions evolve though and this season I think DIOR has hit a home run. Looking like a pastel Bambi with eyes the surprised vacant look of a bunny about to get Dunlop disease, the model is absolutely outrageously gorgeous.

Of course it is referencing Marie Antoinette but in my mind it also harks back to Priscilla, Queen of the Desert. GLAM.

Like the look? Want to know how to get it? Below is a how to video.

Enjoy,

Portia xx

Photo Stolen TheMalayMailOnline

DIOR SPRING 2014: Trianon Look

Photo Stolen DIOR

The Art and Olfaction Awards

January 18, 2014 / australianperfumejunkiescom / 5 Comments

Post by Jordan River

Ed: This is a post going out across three blogs today: Olfactoria’s Travels, The Fragrant Man and Australian Perfume Junkies. Special thanks to Jordan River who is the King of Organisation and whose research, inquisitive mind, words and teachings often inspire me.

New Indie and Artisan Awards

The Art and Olfaction Awards

2014 brings us a new award model for independent and artisan perfumers called The Art and Olfaction Awards. These awards have been established to:

celebrate creativity, innovation and excellence in global independent and artisan perfumery.

– The Art and Olfaction Awards

There are only two categories; Indie and Artisan. Perfumers in these categories have until January 24th to submit a sample of their work at a cost of $45 per entry which is limited to two entries of perfumes released in 2013. Submissions are accepted from any country.

The Art and Olfaction Awards are organised by The Insitute of Art and Olfaction in Los Angeles. I spoke with the founder of the institute, Saskia Wilson-Brown about this new development…

The Art and Olfaction Awards are not intended to compete or replace other awards. I come from a film background, and in the film world people submit to many different festivals or awards. We are applying that model to perfumery, so are not trying to be exclusive or competitive with other awards and events. We’re creating a space devoted to independent and artisan perfumers.

Saskia Wilson-Brown
The Institute of Art and Olfaction

Last year there was a lengthy discussion in the comments on Kafkaesque about the FiFi awards. By Jove there were a lot of opinions everywhere about the FiFi award received by By Kilian. There was even a discussion about setting up another series of awards which was cognisant of the differences between niche, indie and artisan categories within the perfume industry. Thankfully this has now happened.

Definitions of Indie and Artisan for the purposes of these awards are here. The awards cleverly transcend any natural vs synthetic categories and gender perceptions of perfume by defining the entrants by business type rather than by type of perfume.

Judges are not allowed to enter their own work and all perfumes will be blindly judged. The judges this time around for The Art and Olfaction Awards are:

Preliminary Judges
Marcos Lutyens – Artist
Brent Leonesio – Perfumer
James McHugh – Historian
Sherri Sebastian – Perfumer
Ashley Eden Kessler – Perfumer
Daniel Krasofski – Natural Perfumer
Hank Jenkins – The Plant Provocateur
Carlos Alvarez – Scent Bar / LuckyScent.com
Laura Johnson – Scent Bar / LuckyScent.com
Rachel Sondag – Scent Bar / LuckyScent.com
Steven Gontarski Scent Bar / LuckyScent.com
Koan Jeff Baysa – Institute of Art and Olfaction
Yvettra Grantham – Scent Bar / LuckyScent.com

Final Round Judges
Mandy Aftel – Perfumer
Luca Turin – Perfume Critic
Stefan Sagmeister – Designer
Sarah Horowitz-Thran – Perfumer
Christophe Laudamiel – Perfumer

The judges will be looking for an X factor as well as technical skill, first impressions, dry down performance and the ability of the perfume to be memorable.

The awards ceremony will held be in Los Angeles at The Goethe Institut on April 25, 2014.

Submission – Information
The Art and Olfaction Awards – website

The awards are being produced in partnership and with the support of:
Fragrantica
Lucky Scent
Goethe Institut
The Standard Hotel
Beski Projekts
AutumnSeventy
Odelab
Olfactif
Miniature Perfume Shoppe
Happily