Gabriella

Hello fellow perfumaholics. I hope you enjoy my story today on one of my favourite scents.

Un Lys by Christopher Sheldrake for Serge Lutens (1997)

Photo Stolen Fragrantica

Fragrantica gives these featured accords on one line:

Lily, musk and vanilla

Many years ago, a long, long time before I became a perfumista and perhaps even before the advent of perfume blogging, I found an exquisite bottle of fragrance in a local boutique. It was housed in the most elegant rectangular bottle I’d ever seen and emblazoned with a peculiar name: Serge Lutens. It was called Un Lys.

I fell in love with its clear bright beauty immediately. It was simply the best thing I had ever smelled. Its price tag, however, was another matter. (You see, back then, I thought that anything over $100 way just way, waaay too much money to spend on a bottle of perfume. How things have changed!) I winced at the price, stood there for a while, decided against it and left. And I then promptly forgot about it.

Fast forward some years later, and it was actually another lily perfume, the magnificent Lys Mediterrannee that sent me tumbling down the rabbit hole of full-blown perfume obsession. Its hold on me was so great, that for years, I did not think I needed another lily fragrance in my collection.

Photo Stolen mi9

However, earlier this year, Un Lys started calling my name again. I ordered a bottle, completely unsniffed besides that brief, but powerful encounter many years ago.

Second time around, Un Lys took her time to ensconce me with her charms. I pulled it out one steamy Sydney morning thinking it would be the perfect accompaniment to a summery Saturday. But now, compared to Lys Med’s spicy voluptuousness, Un Lys struck me as rather wan, pale and uninteresting but therein lies the rub, Un Lys’ lack of complexity is its beauty and its simplicity is its mark of exquisiteness. Whereas Lys Med emphasises the tropical, heady, vampy vibe of the lily and others, like Donna Karan Gold, emphasise its green qualities, Un Lys is aims to be no more than an olfactory portrait of the flower. It needs no adornments and no bells and whistles to amplify its serene and quiet beauty.