Nocturne. Ainslie Walker for Alexi Freeman

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Post by Ainslie Walker

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Hello my favourite fragrant folk!

Earlier this year I developed a fragrance to accompany the scenic launch of Australian fashion designer, Alexi Freeman’s latest collection. The scent was released ambiently during the catwalk showing of White Noise trans-seasonal 2016 on the clifftops at MONA Museum, Hobart – possibly the most southern and most scenic catwalk in fashion history!

“As daylight shifts to the still of night, silhouettes move upon a cliff face. Ultra violet light reflects from pale, voluminous and translucent threads. Nearby vineyard fruits sweeten the air. Vapor escapes from shimmering bitumen. White leather treads, pulsing the earths surface. Light amber woods waft upwards carrying the salted air if the river towards us. Soon darkness reigns, broken only by the glimmer of the star filled sky”

Byron Myers, Alexi Freeman, Ainslie Walker

MONA is one of the worlds most iconic Art Museums. I am honored to have been the first ‘fragrance artist’ to scent the iconic outdoor space. Here’s hoping there will be more scent events at MONA in the future! Over a few glasses of the local Pinot Noir I talked to owner, art collector David Walsh, discussing ‘scent as art.’ David finds wearing perfume “misleading.” He likes to smell the “natural scent of a person,” deeming it sexy, rather than “a false mask that wears off and is no longer there in the morning.” We discussed basic instincts and attraction in humans and the potential to find a lover attractive due to their natural odor and how wearing fragrance can potentially mess with proceedings and attract the wrong person! (The concept of odiferous ‘beer goggles?!’)

Curator Brian Ritchie (ex bassist Violent Femmes!!)

The event was curated by Brian Ritchie, ex-bassist for The Violent Femmes. Each day as he passed by me he opened his collar for a few squirts of Nocturne and a giggle. He loved it and even read it’s description out for the whole crowd!! (My teenage-90s-grunge inner child SQUEALED all the while, believe me!)

Ambient scent plug tested by MONA officials

Morag from Aussie Fragrance Network Facebook Group came along to the show with her daughter and here she describes the evening:

“We walked uphill from the bitumen car park past lawns and sculptures. Looking out over the river we watched the mix of fashionistas and conventionally styled audience members drift in. We took our seats on heated benches beneath the ** installation, to wait for the fashion show to begin.
**not-allowed-to-mention-the-artist’s-name-due-to-marketing-restrictions

We basked in the change from daylight to night, watching the silhouette of gum trees against a darkening sky. The sculpture’s coloured lights shifted through the rainbow, whilst seamlessly melding with the sky.

All the while, the air was filled with colour, Ainslie Walker’s Nocturne. Rich, luscious fruits and florals – deeply velvet. Byron Meyer produced accompanying soundscapes which in turn carried ethereal gowns, white on white, floating and gliding past us: Alexi Freeman’s White Noise collection. Shorts and tank tops, beautiful gauzy dresses over bodysuits threaded with silver and textural contrasts of leather and perspex glowed under UV, surrounded by the darkness of night.

A feast for all the senses. A subtle fusing and truly experiential. A sensory experience full of provocation.

Wearing Ainslie’s Nocturne, I am transported to that evening and beyond. Because what I smelt that night was just the beginning. On the skin, the scent is much much more. After the voluptuous ripeness dissipates, there is a calm quiet center of gentle leather and musk. The easing into the night after a spectacular sunset.”

Nocturne. Ainslie Walker for Alexi Freeman

Nocturne Vial 2

Nocturne Vial

APJ READERS OFFER: contact Ainslie Walker to order sampler in card, including postage for $20

Nocturne Ltd edition Candles $65 Ainslie Walker

Nocturne Ltd edition Candles $65 Ainslie Walker 2

Nocturne limited edition candle from Ainslie Walker or Alexi Freeman’s Studio in Fitzroy, Melbourne.

Limited edition Nocturne parfum via emailing ainslie@ainsliewalker.com

PS big thanks to Morag for her support and story xx

Please tell me about a scent installation you’ve attended?

Xx Ainslie

All Photos donated by Ainslie Walker

Ainslie Walker Scents Alexi Freeman at MONA

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Post by Portia

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Hey crew,

Our very own Ainslie Walker is making her way in the big world of fragrancing events and this is set to be the biggest yet. As one of our APJ Contributors (and my buddy) we are incredibly proud of her achievements to date and wish her another major popular and critical success. Hopefully we will get a post event story from Ainslie because it’s so hush-hush that I’ve only now been allowed to tell you. Stay tuned.

Ainslie Booze frags #11

Here is a short interview with Ainslie, I wanted the details.

Good Luck Ainslie, couldn’t be prouder of you.
Portia xx

ALEXI FREEMAN WHITE NOISE

TRANS-SEASONAL 2016 COLLECTION LAUNCH AT MONA

ALEXI-FREEMAN_MONA_WhiteNoise 1

What is it you are scenting?
The runway/catwalk of a fashion show for the launch of Australian designer Alexi Freeman’s latest collection which is set on a cliff top on the rooftop of the Tasmanian MONA museum, so completely outdoors in the elements and interacting with an art piece situated there.

How did they find you to do the job?
Alexi and I went through my fragrance portfolio 2 years ago in Melbourne and he kept me in mind for future reference. When he was asked to launch his collection at MONA he saw this as a great opportunity to collaborate.

How do you go about creating a scent for someone elses vision?
Initially Alexi wanted something very natural based around Eucalyptus, in keeping with the natural beauty of Tasmania, leaving things quite open for me to experiment. However as the collection evolved and I understood it further we talked about night time/dark/twilight and wanted to play with dark and light and play of moonlight/ultraviolet light onto white fabrics/flowers. So I went from creating a very dark scent to a much lighter scent, based on materials Alexi is using. Billowing white fabrics, leather etc.

How is the scent being released in the air?
I am using a few different sized scent diffusion machines…plus the natural flow of air created by the models passing by. if weather is wild I have a few other options up my sleeve! Also I have created scented candles in dark pots that look like the Tasmanian night sky for people to purchase as part of the collection which will be sold at MOMA (Mona market) and then on both Alexi and my websites

What is the major note and why?
Peony: to represent the white fabrics reflecting ultraviolet lights
White leather: in the collection
Musks: representing wet bitumen /cement: which glitters at night around MONA
Patchouli and white woods: earthy/woody: natural component
Fruit note: to represent the MONA vineyard surrounding MONA

ALEXI FREEMAN_MONA_WhiteNoise.pdf